{"id":50,"date":"2025-09-25T22:10:10","date_gmt":"2025-09-25T20:10:10","guid":{"rendered":"https:\/\/sites.unica.it\/ars\/?page_id=50"},"modified":"2026-04-14T18:36:28","modified_gmt":"2026-04-14T16:36:28","slug":"events","status":"publish","type":"page","link":"https:\/\/sites.unica.it\/arsplus\/events\/","title":{"rendered":"Events"},"content":{"rendered":"\n
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Future\/Ongoing Events:<\/p>\n\n\n\n

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(49) Exhibition “Blue Blooded \u2013 Sangue blu<\/em> ” by Hannah Levy, curated by Giuliana Altea<\/a>, Antonella Camarda<\/a>, Luca Cheri<\/strong><\/p>\n\n\n\n

28 March 2026 \u2013 12 July 2026<\/p>\n\n\n\n

Museo Nivola presents Blue Blooded \u2013 Sangue blu<\/em>, the first solo exhibition in Italy by Hannah Levy. The exhibition brings together a group of new sculptures inspired by the horseshoe crab, or limulus: an uncanny-looking marine arthropod that has survived for hundreds of millions of years and whose blue blood is now widely used to ensure the safety of vaccines and medical devices.<\/p>\n\n\n\n

Levy\u2019s sculptures combine polished metal with translucent silicone and glass, generating sinuous forms that – echoing a Surrealist-inflected imagery – recall animals, insects, and organic morphologies while subtly alluding to the elegance of Art Nouveau and Modernist design. Positioning herself within a lineage that includes artists such as Meret Oppenheim, Louise Bourgeois, and Robert Gober, Levy merges industrial aesthetics and natural imagery to evoke presences that are both seductive and unsettling.<\/p>\n\n\n\n

Venue: Museo Nivola, Orani (NU)<\/p>\n\n\n\n

Contact: altea@uniss.it<\/a><\/p>\n\n\n\n

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(48) Exhibition “La Curva Aurea” by Marina Madeddu, curated by Caterina Ghisu<\/a> <\/strong><\/p>\n\n\n\n

28 March 2026 – 20 June 2026<\/p>\n\n\n\n

MAB Contemporary Art Center in Bari Sardo. Organized by the EIA Factory association, which manages the MAB, the exhibition is curated by Caterina Ghisu, with artistic direction by Nicoletta Zonchello.<\/p>\n\n\n\n

The exhibition offers a visual journey that explores the relationship between geometry, color, and perception. The works are developed through a careful balance of forms and proportions, accompanied by a chromatic exploration capable of creating tension and visual depth. The exhibition represents an important opportunity for the public to engage with contemporary art, in a space that is increasingly active in promoting culture in the region.<\/p>\n\n\n\n

Venue: MAB Contemporary Art Center in Bari Sardo<\/p>\n\n\n\n

Contact: caterina.ghisu@unica.it<\/a><\/p>\n\n\n\n

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(47) Seminari di “AntichistiCA II 2025\/26”, organized by Enrico Emanuele Prodi<\/a><\/strong><\/p>\n\n\n\n

9 February 2026\u201319 June 2026<\/p>\n\n\n\n

Venue: Sa Duchessa Campus, Cagliari<\/p>\n\n\n\n

Contact: enricoemanuele.prodi@unica.it<\/a><\/p>\n\n\n\n

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(46) “Dumas Talks”, Series of meetings promoted by the Department of Humanities and Social Sciences of the University of Sassari, organized by Lucia Cardone<\/a> et al.<\/strong><\/p>\n\n\n\n

25 March 2026\u201328 May 2026<\/p>\n\n\n\n

\u2022\u2060 \u2060Giuliana Altea, “Edina Altara. Pittrice, decoratrice, illustratrice”, 25 March 2026, 17:00 (CET)<\/p>\n\n\n\n

\u2022\u2060 \u2060Sonia Malvica, “Maptelling e smart tourism. Esperimenti di fruizione turistica”, Aracne, 2025, with Donatella Carboni, 9 April 2026, 17:00 (CEST)<\/p>\n\n\n\n

\u2022\u2060 \u2060Lucia Cardone, “Un copione tutto per s\u00e9. Attrici e scrittrici nel cinema sotto il fascismo”, 14 April 2026,18:00 (CEST)<\/p>\n\n\n\n

\u2022\u2060 \u2060Dino Manca, “Grazia. Bollettino di studi deleddiani”, with Alessandro Cadoni, 22 April 2026,18:00 (CEST)<\/p>\n\n\n\n

\u2022\u2060 \u2060Antonella Camarda and Giulia Simi, “Erbario della memoria. Mondo vegetale e ricordi privati”, Alemandi 2025, with Martina Silli & Bruno Savona (Heart Studio), 21 May 2026,18:00 (CEST)<\/p>\n\n\n\n

\u2022\u2060 \u2060Monica Farnetti, “Leggere Ortese”, Carocci 2025, with Alessandro Cadoni, Miriam Laudu & Giuseppe Pintus, 28 May 2026, 18:00 (CEST)<\/p>\n\n\n\n

Venue: Biblioteca Universitaria di Sassari, via Enrico Costa 57, Sassari<\/p>\n\n\n\n

Contact: cardone@uniss.it<\/a><\/p>\n\n\n\n

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(45) “The Aesthetics of Knowledge” Seminar & Seminar of the PhD course in \u201cFilosofia, Epistemologia e Scienze Umane\u201d, organized by Filippo Contesi<\/a><\/strong><\/p>\n\n\n\n

22 May 2026, 15:00\u201317:00 (CEST)<\/p>\n\n\n\n

Tom Adajian (James Madison University), \u201cTruth, Aesthetic Goodness, and Ideal Sensibilities: Pragmatic Considerations\u201d<\/p>\n\n\n\n

Abstract: “Theories that analyze aesthetic goodness by appeal to an idealized agent (e.g., Hume’s “true judges”) are well-known. Common criticisms of such Ideal views include some that reject the notion of an ideal sensibility altogether, some that claim that a standard of taste so defined is “useless,” and some holding that such views are vulnerable to an aesthetic version of the Euthyphro dilemma. This paper (a) examines those criticisms and (b) defends a distinctive and underexplored pragmatist version of an Ideal approach, which aims at a unified account of truth and aesthetic goodness.”<\/p>\n\n\n\n

Venue: Aula 13 (Sa Duchessa Campus, Central Building, Cagliari) and accessible online<\/a><\/p>\n\n\n\n

Contact: filippo.contesi@unica.it<\/a><\/p>\n\n\n\n

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(44) \u201cIn tasca solo pezzi di Casa\u201d, exhibition <\/strong>by Maria Jole Serreli, organized by Rita Pamela Ladogana<\/a> et al.<\/strong><\/p>\n\n\n\n

15 – 26 April 2026<\/p>\n\n\n\n

Opening reception: 15 April, 18:00 (CEST)<\/p>\n\n\n\n

Open to visitors Tuesday\u2013Sunday, 10:00\u201318:00 (CEST). Closed on Mondays.<\/p>\n\n\n\n

During the Monumenti Aperti event, opening hours will be Saturday and Sunday, 9:00\u201319:00 (CEST).<\/p>\n\n\n\n

The work \u201cIn tasca solo pezzi di casa<\/em>\u201d by Maria Jole Serreli proposes an anti-monumental and non-celebratory monument that refuses the traditional rhetoric of the pedestal. Developed on a small surface of raw wood, the piece unfolds as both a geographical and relational map, reflecting on the transformation of private space into a shared dimension and inviting a renewed sense of belonging and community. <\/p>\n\n\n\n

Venue: MUACC Museum, Cagliari<\/p>\n\n\n\n

Contact: ladogana@unica.it<\/a><\/p>\n\n\n\n

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(43) Ciclo di incontri “Aulas Abiertas 2025\u201326”, Seminario permanente di studi linguistici e letterari su America Latina e Caraibi, organized by Maria Cristina Secci<\/a><\/strong><\/p>\n\n\n\n

4 March 2026\u201323 April 2026<\/p>\n\n\n\n

\u2022\u2060 \u20604 March, 10:00 (CET) – Laboratorio 4 (Sa Duchessa Campus)
Martino Contu<\/strong>, storico e console onorario dell’Uruguay
Uruguay: societ\u00e0 e cultura della porta d’ingresso del Mercosur<\/em><\/p>\n\n\n\n

\u2022\u2060 \u206016 March, 11:40 (CET) – Laboratorio 3 (Sa Duchessa Campus)
Paolo Lusci<\/strong>, responsabile editoriale ISOLAPALMA
Libri in viaggio<\/em><\/p>\n\n\n\n

\u2022\u2060 \u206024 March 10:05 (CET) – Aula 2 (Aresu Campus); 24 March, 14:50 (CET) – Aula 7 (Aresu Campus)
Alessandro Marzo Magno<\/strong>, giornalista e scrittore
Scrivere, riscrivere, stampare: dentro la bottega degli editori e la redazione dei giornali<\/em><\/p>\n\n\n\n

\u2022\u2060 \u206025 March, 10:05 (CET) – Laboratorio 4 (Sa Duchessa Campus)
Giulia Doni<\/strong>, Archivio di Stato, Cagliari
Il torchio che ha cambiato il mondo: la rivoluzione tecnologica del mezzo tipografico<\/em>
Alessandro Marzo Magno<\/strong>, giornalista e scrittore
La rivoluzione del libro<\/em><\/p>\n\n\n\n

\u2022\u2060 \u206025 March, 14:50 (CET) – Aula 9; 26 March, 13:10 (CET) – Aula 11 (Campus Aresu)
Yakoub Abidi<\/strong>, docente presso l’Institut Sup\u00e9rieur des Langues de Tunis, Universit\u00e9 de Carthage
De una orilla a otra: hacia una red hispanista mediterr\u00e1nea<\/em>
PNRR-TNE MARE Project<\/p>\n\n\n\n

\u2022\u2060 \u20609 April, 13:10 (CEST) – Aula 11 (Campus Aresu)
Alessandra Guigoni<\/strong>, antropologa culturale
Lo scambio colombiano: storie e destini di piante alimentari americane sulla tavola europea<\/em><\/p>\n\n\n\n

\u2022\u2060 \u206013 April, 11:40 (CEST) – Laboratorio 3 (Sa Duchessa Campus)
Mattea Lissia<\/strong>, direttrice del Festival Pazza Idea
Tra libri e persone: i festival come laboratori di cultura e conoscenza<\/em><\/p>\n\n\n\n

\u2022\u2060 \u206014 April, 10:05 (CEST) – (Aresu Campus)
Anna Boccuti<\/strong>, docente di lingua e letterature ispano-americane, Universit\u00e0 di Torino
Tra due sponde: traduzioni, revisioni e ritraduzioni tra lo spagnolo d’America e l’italiano<\/em>
con il contributo del Dipartimento di Lettere, Lingue e Beni Culturali<\/p>\n\n\n\n

\u2022\u2060 \u206017 April, 11:40 (CEST) – Aula 2 (Aresu Campus)
Maria Cristina Secci<\/strong>, docente di lingua, traduzione e linguistica spagnola, Universit\u00e0 di Cagliari
Malintzin, lengua e stratega nell\u2019An\u00e1huac del XVI secolo<\/em>
all’interno del corso di storia moderna di Rafaela Pilo<\/p>\n\n\n\n

\u2022\u2060 \u206023 April, 13:10 (CEST) – Aula 11 (Aresu Campus)
Rafaella Pilo<\/strong>, docente di storia moderna, Universit\u00e0 di Cagliari
Contar el otro, inventar el otro. Tres casos de estudio o, mejor dicho, dos casos y medio<\/em><\/p>\n\n\n\n

Venue: Sa Duchessa or Aresu Campus, Cagliari<\/p>\n\n\n\n

Contact: secci@unica.it<\/a><\/p>\n\n\n\n

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(42) \u201cDal crocifisso ligneo alle pietre sonore: materia, suono e sacralit\u00e0 nell’opera di Pinuccio Sciola\u201d, with Rita Pamela Ladogana<\/a><\/strong><\/strong> and Carolina Floris<\/strong><\/p>\n\n\n\n

18 April 2026, 11:00 (CEST)<\/p>\n\n\n\n

Venue: San Saturnino Basilica, Cagliari<\/p>\n\n\n\n

Contact: ladogana@unica.it<\/a><\/p>\n\n\n\n

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(41) Metodi a confronto. Prospettive internazionali sulla ricerca musicologica e artistico-performativa \/ Connecting Methods: International Perspectives on Musicological and Artistic-Performative Research, organized by Benedetta Zucconi<\/a> et al.<\/strong><\/p>\n\n\n\n

13\u201315 aprile 2026<\/p>\n\n\n\n

Venue: Conservatorium “Palestrina”, Cagliari<\/p>\n\n\n\n

Contact: benedetta.zucconi@unica.it<\/a><\/p>\n\n\n\n

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Past Events:<\/p>\n\n\n\n

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(40) Ciclo permanente di seminari “Conversazioni sull’Arte” (10\u00b0 anno), in collaboration with UniMiB, UniCa, Uni3, ASUS, Societ\u00e0 Filosofica Italiana (University of Milan “Bicocca” (Dip. Scienze Umane della Formazione), University of Cagliari (MA course in “Filosofia e Forme del Sapere”), Accademia di scienze umane e sociali di Roma, Istituto Uni3 Milano), organized by Lorenzo De Donato<\/a><\/strong><\/p>\n\n\n\n

27 March 2026, 15:00\u201317:00 (CET)<\/p>\n\n\n\n

Maddalena Mazzocut-Mis (University of Milan), “Il brutto come categoria estetica: il mostruoso tra forma ed eccesso”; online (access link: https:\/\/teams.microsoft.com\/meet\/3411119679207?p=neNvF0tmclrKuEM1IF<\/a>)<\/p>\n\n\n\n

Contact: lorenzo.dedonato@unimib.it<\/a><\/p>\n\n\n\n

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(39) “Olympia. Il mito dello sport”, organized by Valeria Melis<\/a><\/strong><\/strong><\/strong><\/p>\n\n\n\n

20 March 2026, 17:30 (CET)<\/p>\n\n\n\n

Intervengono Enrico Emanuele Prodi, Paolo Serra e Valeria Melis (Mediateca del Mediterraneo, Cagliari)<\/p>\n\n\n\n

Contact: valeria.melis@unica.it<\/a><\/p>\n\n\n\n

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(38) “On Collaboration”, “Linguaggi, Immaginari, Media” (LIM) Seminar<\/strong><\/strong>, organized by Jannis Huelsen<\/a> & Francesca Ervas<\/a><\/strong><\/strong><\/p>\n\n\n\n

20 March 2026, 15:00\u201317:00 (CET)<\/p>\n\n\n\n

Michael Haefner & Enrica Spada, “On Feeling Collaboration: Human Body Superpowers”; Aula Motzo (Sa Duchessa Campus, Central Building, Cagliari) and accessible online<\/a><\/p>\n\n\n\n

Contact: ervas@unica.it<\/a><\/p>\n\n\n\n

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